Monument Valley Overview Print

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The Art of Placement krsm.jpg
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etsyaz03 00002.jpg
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GFAP Mockup - Hahnemühle Museum Etching 350g (5) copy.jpg
etsyaz03 00001.jpg
The Art of Placement krsm.jpg
frame mat examples square2.jpg
pricing list 3:24:26.jpg

Monument Valley Overview Print

from $32.00
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Monument Valley, Arizona

Land Acknowledgement

We recognize the unique and enduring relationship that exists between Indigenous people and their traditional territories. This photograph was made on the ancestral homelands of the Ute, Navajo, Hopi, and Pueblo Tribes.

Print Details
Cold Press Textured Matte Fine Art Paper
• 340 gsm, 21 mil paper weight
Giclee Printing Method
• Matte Finish
• Acid-free

Frame Details
Solid wood frame with optical-grade clear acrylic front protector. Available in natural, black, white, gold, espresso. All framed prints have kraft paper backing and hanging hardware installed. The print goes to the edge of the frame (reach out if you would like a mat).

Width & Depth
• 0.875″ w x 0.875″ d (natural), 0.75″ w x 1.125″ d (black, white), 0.875″ w x 1.125″ d (gold, espresso) for 24x36in and smaller
• 1″ w x 2.25″ d (natural, black, white), 0.875″ w x 1.125″ d (gold, espresso) for 30x40in, 40x60in

Hanging Hardware
• Hanging wire installed for 24x36in and smaller
• Corner sawtooths installed for 30x40in, 40x60in

Scene Description
Sandstone buttes cover a red-sand desert in this overview composition of Monument Valley. The light is dappled from the shifting clouds. The sun is low in the sky creating long shadows along the valley floor on the right sides of the buttes. There is patchy green vegetation growing on the desert floor creating a pleasant color contrast with the shades of red and tan of the sandstone. Beyond the buttes are puffy clouds and a soft blue sky.

About the artist
Kevin Russ was born and raised along California’s Central Coast. He later moved north to Oregon, where he briefly attended college before moving into his 2003 Chevy Blazer to pursue landscape photography full time.

In 2013, early in his landscape work, his photographs drew national attention when The Atlantic described him as “iPhone’s Ansel Adams” a distinction that quickly set his work apart in the emerging world of mobile photography. In the years that followed, Russ expanded into film photography while taking on assignments with major brands including Nat Geo Wild, Icelandair, Nestlé Waters, and Timberland.

Today, his work has settled into a quieter, more reflective rhythm. He spends much of his time in the deserts and mountains of the American West, photographing at a slower pace, in pursuit of capturing the timelessness of the American West.