Arizona Poppies Print

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GFAP Mockup - Hahnemühle Museum Etching 350g (5) copy 9.jpg
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The Art of Placement krsm.jpg
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GFAP Mockup - Hahnemühle Museum Etching 350g (5) copy 16.jpg
GFAP Mockup - Hahnemühle Museum Etching 350g (5) copy 9.jpg
etsyaz11 00002.jpg
The Art of Placement krsm.jpg
frame mat examples square2.jpg
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Arizona Poppies Print

from $32.00
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Tonto National Forest, Arizona

Land Acknowledgement
We recognize the unique and enduring relationship that exists between Indigenous people and their traditional territories. This photograph was made on the ancestral homelands of the Yavapi-Apache Nation Tribes and Hohokam Tribes: Tohono Oʼodham and Pima.

Print Details
Cold Press Textured Matte Fine Art Paper
• 340 gsm, 21 mil paper weight
Giclee Printing Method
• Matte Finish
• Acid-free

Frame Details
Solid wood frame with optical-grade clear acrylic front protector. Available in natural, black, white, gold, espresso. All framed prints have kraft paper backing and hanging hardware installed. The print goes to the edge of the frame (reach out if you would like a mat).

Width & Depth
• 0.875″ w x 0.875″ d (natural), 0.75″ w x 1.125″ d (black, white), 0.875″ w x 1.125″ d (gold, espresso) for 24x36in and smaller
• 1″ w x 2.25″ d (natural, black, white), 0.875″ w x 1.125″ d (gold, espresso) for 30x40in, 40x60in

Hanging Hardware
• Hanging wire installed for 24x36in and smaller
• Corner sawtooths installed for 30x40in, 40x60in

Scene Description
Arizona poppies in bloom from the 2017 spring rains in the southwest United States. Two thirds of the composition is blanketed in orange poppies with yellow brittlebush and green shrubs peppered throughout the hillside. At the hop of the hill are large rocky boulders and a saguaro cactus in front of a blue sky with white clouds.

About the artist
Kevin Russ was born and raised along California’s Central Coast. He later moved north to Oregon, where he briefly attended college before moving into his 2003 Chevy Blazer to pursue landscape photography full time.

In 2013, early in his landscape work, his photographs drew national attention when The Atlantic described him as “iPhone’s Ansel Adams” a distinction that quickly set his work apart in the emerging world of mobile photography. In the years that followed, Russ expanded into film photography while taking on assignments with major brands including Nat Geo Wild, Icelandair, Nestlé Waters, and Timberland.

Today, his work has settled into a quieter, more reflective rhythm. He spends much of his time in the deserts and mountains of the American West, photographing at a slower pace, in pursuit of capturing the timelessness of the American West.