Mount Rainier Meadow Print
Mount Rainier Meadow Print
Mount Rainier National Park, Washington
Land Acknowledgement
We recognize the unique and enduring relationship that exists between Indigenous people and their traditional territories. This photograph was made on the ancestral homelands of the Cowlitz, Muckleshoot, Nisqually, Puyallup, Squaxin Island, Yakama, and Coast Salish Tribes.
Print Details
• Cold Press Textured Matte Fine Art Paper
• 340 gsm, 21 mil paper weight
• Giclee Printing Method
• Matte Finish
• Acid-free
Frame Details
Solid wood frame with optical-grade clear acrylic front protector. Available in natural, black, white, gold, espresso. All framed prints have kraft paper backing and hanging hardware installed. The print goes to the edge of the frame (reach out if you would like a mat).
Width & Depth
• 0.875″ w x 0.875″ d (natural), 0.75″ w x 1.125″ d (black, white), 0.875″ w x 1.125″ d (gold, espresso) for 24x30in and smaller
• 1″ w x 2.25″ d (natural, black, white), 0.875″ w x 1.125″ d (gold, espresso) for 30x40in
Hanging Hardware
• Hanging wire installed for 24x30in and smaller
• Corner sawtooths installed for 30x40in
Scene Description
A log footbridge sits at the bottom left of the frame next to a rich purple, flowering lupine. Above the lupine leading into the center of the frame is a stone footpath cutting through a meadow filled with dappled afternoon light and white mountain pasqueflower. There are subalpine fur and hemlock evergreen trees on the far end of the meadow as well as a few on the right edge of the composition in the foreground. Beyond the meadow and trees is mighty Mt. Rainier standing at 14,411′ rising above the trees into a soft, blue sky with light wispy clouds. The image was shot on 35mm film in August.
About the artist
Kevin Russ was born and raised along California’s Central Coast. He later moved north to Oregon, where he briefly attended college before moving into his 2003 Chevy Blazer to pursue landscape photography full time.
In 2013, early in his landscape work, his photographs drew national attention when The Atlantic described him as “iPhone’s Ansel Adams” a distinction that quickly set his work apart in the emerging world of mobile photography. In the years that followed, Russ expanded into film photography while taking on assignments with major brands including Nat Geo Wild, Icelandair, Nestlé Waters, and Timberland.
Today, his work has settled into a quieter, more reflective rhythm. He spends much of his time in the deserts and mountains of the American West, photographing at a slower pace, in pursuit of capturing the timelessness of the American West.
