Winter Horses Print

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etsyor01 00002.jpg
etsyor01 00005.jpg
kr1sm.png
kr7sm.png
etsyor01 00001.jpg
The Art of Placement krsm.jpg
frame mat examples square2.jpg
pricing list 3:24:26.jpg

Winter Horses Print

from $32.00
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Jefferson County, Oregon

Land Acknowledgement
We recognize the unique and enduring relationship that exists between Indigenous people and their traditional territories. This photograph was made on the ancestral homelands of the Confederated Tribes of Warm Springs, Grand Ronde, and the Siletz Indians.

Print Details
Cold Press Textured Matte Fine Art Paper
• 340 gsm, 21 mil paper weight
Giclee Printing Method
• Matte Finish
• Acid-free

Frame Details
Solid wood frame with optical-grade clear acrylic front protector. Available in natural, black, white, gold, espresso. All framed prints have kraft paper backing and hanging hardware installed. The print goes to the edge of the frame (reach out if you would like a mat).

Width & Depth
• 0.875″ w x 0.875″ d (natural), 0.75″ w x 1.125″ d (black, white), 0.875″ w x 1.125″ d (gold, espresso) for 24x36in and smaller
• 1″ w x 2.25″ d (natural, black, white), 0.875″ w x 1.125″ d (gold, espresso) for 30x40in, 40x60in

Hanging Hardware
• Hanging wire installed for 24x36in and smaller
• Corner sawtooths installed for 30x40in, 40x60in

Scene Description
A herd of horses trot through a winter wonderland. It was a cold and still morning. Nearly everything was covered in frost except the horses. There were about ten of them, moving across the frame from left to right. Two black, seven brown, and one white. In the foreground there is a small band of dark grey rocks. Surrounding the rocks, high desert plants have become frozen in time. Behind the horses is a row of pine trees, which are also covered in white and have a slight green/blue hue to them. Above the trees is a light grey sky.

About the artist
Kevin Russ was born and raised along California’s Central Coast. He later moved north to Oregon, where he briefly attended college before moving into his 2003 Chevy Blazer to pursue landscape photography full time.

In 2013, early in his landscape work, his photographs drew national attention when The Atlantic described him as “iPhone’s Ansel Adams” a distinction that quickly set his work apart in the emerging world of mobile photography. In the years that followed, Russ expanded into film photography while taking on assignments with major brands including Nat Geo Wild, Icelandair, Nestlé Waters, and Timberland.

Today, his work has settled into a quieter, more reflective rhythm. He spends much of his time in the deserts and mountains of the American West, photographing at a slower pace, in pursuit of capturing the timelessness of the American West.